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Phonography was lo-fi legend R. Stevie Moore's first vinyl release - only 100 copies were pressed in 1976. The album (including a slightly larger 1978 pressing) barely earned the artist lunch money. But Phonography has since become the cornerstone of the Do-It-Yourself movement, while establishing Moore as the Granddaddy of home recording. Both Rolling Stone and Spin have proclaimed it one of the most influential independent releases of the past 50 years. Phonography was recorded by a self-taught control-freak, using cheap, malfunctioning analog equipment. Robert Steven Moore was born in 1952, in Nashville. His dad, veteran bassist/producer Bob Moore, taxied between sessions for major stars (including Elvis Presley). But Stevie preferred Brit Invasion, Zappa, Brian Wilson's idiosyncratic arrangements, and outliers like the Shaggs. At the urging of his supportive uncle, Harry Palmer, he moved to New Jersey in 1976. He has self-released hundreds of albums on each successive era's format du jour (cassette, LP, CD, digital download). He's had vinyl and CD compilations produced worldwide on two dozen indie labels. For a songwriter with a massive catalog of prime material, Moore's revenue stream has barely afforded him the luxury of replacing gear plagued by worn-out switches. Yet most of the surviving labels who turned deaf ears to R. Stevie Moore are now, like him, struggling to make a buck on their catalogs. Their corner-office execs come and go. R. Stevie Moore is still here.