Country/Rockabilly

A relentless perfectionist, Atkins typically took home his session tapes and worked (and reworked) his solos in his home studio until he was satisfied with the results. This audio woodshedding left hours of music in the RCA Victor tape archives, unheard by the public. Until now. This Sundazed Extended Play release unearths three originally unissued recordings from the vaults and a fourth recording that saw release only on a budget album many decades ago.

The great lost album of country music! Recorded at the then-new RCA Victor Studio B in Nashville, this amazing collection of Chet Atkins with brother Jim on vocals was cancelled before release, and the very few existing copies are now multi-thousand-dollar rarities, with one selling in 2012 for an astounding $8,100! Taped as a test for the brand-new Ampex machines and custom RCA mixing console at the facility, the sessions�intended simply for demonstration purposes�turned out so well that Chet...

A lifetime of lessons in six-string-guitar-swing!Jazz-meets-country in an impossibly hot session, ca. 1959! A platter of lightning-fast picking and impeccable taste from the legendary George Barnes! The description on the back of the original album reads: “A wonderful collection of Western favorites that everyone will love—and played in the traditional Western style.” The front cover features a more accurate explanation: “Great guitar solos in modern country jazz style”—as if “modern country...

Electrifying ultra-rare album by '60s fretboard genius!Fretboard fanatics...fret no more! Here at last is the album that christened Jimmy Bryant with the distinct moniker of "Fastest Guitar in the Country." After a run of success with steel guitarist Speedy West on Capitol Records, Jimmy Bryant signed a solo contract with Imperial Records in the mid '60s. While Bryant's recordings with West established him as a fretboard genius, it was the 1967 release of The Fastest Guitar in the Country that...

Spotlighting the flying fingers of Buckaroos guitar-picking whiz Don Rich, the full-bodied pedal steel of Tom Brumley and the rocksteady rhythm of bassist Doyle Holly backed by the solid beat of drummers Willie Cantu and Jerry Wiggins, this Buckaroos smorgasbord is the perfect introduction to the band that created the Bakersfield Sound behind country music Hall of Famer Buck Owens. Here's the definitive example of their forward-thinking style — an electrified honky-tonk sound that wowed the...

Johnny Cash at Folsom Prison fully captures Cash’s gritty intensity and hard-headed humanity, capturing a high-energy set performed for an equally spirited audience. With a set list tailored for the occasion, Cash focuses on songs dealing with crime and imprisonment, balancing dark subject matter with wry, playful humor. The album opens, appropriately enough, with the venerable “Folsom Prison Blues,” and continues with such outlaw anthems as “Cocaine Blues,” “25 Minutes to Go, “The Wall” and...

Perhaps even more so than its predecessor, Johnny Cash at San Quentin captures Cash at his most raw and uninhibited. The artist’s raucous rapport with his captive audience is obvious on an inspired mix of Cash classics (“I Walk the Line,” “Folsom Prison Blues”), jailhouse ballads (“Starkville City Jail,” “San Quentin”), traditional tunes (“Wreck of the Old 97,” “There’ll Be Peace in the Valley”) and well-chosen covers (Bob Dylan’s “Wanted Man,” the Lovin’ Spoonful’s “Darling Companion”). The...

FIRST TIME ON VINYL—The birth of country cool! The Johnny Cash you hear on these two remarkable live performances is not the venerable legend of today. This was the young, feral Cash, full of piss, vinegar and sly orneriness. Even to those who know every note, joke and guitar lick on Johnny Cash At Folsom Prison or San Quentin, hearing Cash in his prime, aided and abetted by the Tennessee Two, guitarist Luther Perkins and bassist Marshall Grant, is a revelation. These historic documents,...

FIRST TIME ON VINYL—The birth of country cool! The Johnny Cash you hear on these two remarkable live performances is not the venerable legend of today. This was the young, feral Cash, full of piss, vinegar and sly orneriness. Even to those who know every note, joke and guitar lick on Johnny Cash At Folsom Prison or San Quentin, hearing Cash in his prime, aided and abetted by the Tennessee Two, guitarist Luther Perkins and bassist Marshall Grant, is a revelation. These historic documents,...

Pressed at R.T.I.To hear Johnny Cash’s swaggering Sun Records-era material is to marvel at one of the primal source-streams of what was fast becoming the headwaters of rock ’n’ roll. Cash’s craggy, lunch-bucket vocals on gleaming original versions of songs like “Cry! Cry! Cry!,” “Get Rhythm,” “Big River,” and “I Walk the Line,” backed by the signature guitar style of Luther Perkins and Marshall Grant’s steady bass, are really just the tip of the iceberg corralled on this stunning collection....

To hear Johnny Cash’s swaggering Sun Records-era material is to marvelat one of the primal source-streams of what was fast becoming the headwaters of rock ’n’ roll. Cash’s craggy, lunch-bucket vocals on gleaming original versions of songs like “Cry! Cry! Cry!,” “Get Rhythm,” “Big River,” and “I Walk the Line,” backed by the signature guitar style of Luther Perkins and Marshall Grant’s steady bass, are really just the tip of the iceberg corralled on this stunning collection. “Folsom Prison...

Groundbreaking album that helped define country-rock!In 1965 Missouri-born Gene Clark was riding the crest of unprecedented success and adulation as a member of the Byrds. Anointed as America’s answer to the Beatles, the Byrds topped the charts with folk-rock anthems like “Mr. Tambourine Man,” “Turn! Turn! Turn!” and “Eight Miles High.” Gene was front and center as tambourine player, singer and principal songwriter for the group. But in early 1966 he flew the Byrds’ coop. A gifted songwriter,...

Groundbreaking album that helped define country-rock!In 1965 Missouri-born Gene Clark was riding the crest of unprecedented success and adulation as a member of the Byrds. Anointed as America’s answer to the Beatles, the Byrds topped the charts with folk-rock anthems like “Mr. Tambourine Man,” “Turn! Turn! Turn!” and “Eight Miles High.” Gene was front and center as tambourine player, singer and principal songwriter for the group. But in early 1966 he flew the Byrds’ coop. A gifted songwriter,...

Though they were enjoying tremendous international success, life with the Byrds was proving increasingly difficult for Gene Clark in 1965. Thus, in early 1966, Gene flew solo and started recording his solo debut album for Columbia with the Gosdin Brothers on backing vocals. From these sessions, this promotional single was pulled. Sourced from the original analog tapes, bedecked with the Columbia promo labels and packaged in a replica of the promotional picture sleeve, this Sundazed single is...

On the first solo album by an ex-Byrd, Gene Clark doesn't stray too far from the nest. Cut in 1966 upon Clark's departure from the iconic L.A. combo, with current Byrds Chris Hillman and Michael Clarke forming the rhythm section, and spotlighting brothers Vern and Rex Gosdin, a pair of former bluegrass pals of Hillman's who chime in with sweet harmony vocals, Gene Clark with the Gosdin Brothers stands as one of Clark's supreme achievements. Add session guitarists Glen Campbell and Jerry Cole...

On the first solo album by an ex-Byrd, Gene Clark doesn't stray too far from the nest. Cut in 1966 upon Clark's departure from the iconic L.A. combo, with current Byrds Chris Hillman and Michael Clarke forming the rhythm section, and spotlighting brothers Vern and Rex Gosdin, a pair of former bluegrass pals of Hillman's who chime in with sweet harmony vocals, Gene Clark with the Gosdin Brothers stands as one of Clark's supreme achievements. Add session guitarists Glen Campbell and Jerry Cole...

Gene Clark became the first member of a major U.S. rock band to go solo when he left the Byrds and released his stirring 1966 debut LP Gene Clark with the Gosdin Brothers. Clark then cut a pair of sparkling, Gary Usher-produced/Curt Boettcher-arranged tracks —“The French Girl” and “Only Colombe”—as his final single for Columbia, a release that was unfathomably canceled at the 11th hour by the label, thus robbing the world of this glistening, baroque-pop gem....

Legendary Gene Clark album assembles abandoned 1972 sessions and more!By 1972, singer/songwriter Gene Clark had settled into a new life in Mendocino far from the intrusive media glare and fan adulation that still surrounded someone of his stature as a former member of the Byrds. However, he still owed A&M Records one more album. Gathering together the cream of the Los Angeles country-rock fraternity—innovative guitarist Clarence White, Chris Ethridge on bass, ex-Byrd and Burrito Brother...

Legendary Gene Clark album assembles abandoned 1972 sessions and more!By 1972, singer/songwriter Gene Clark had settled into a new life in Mendocino far from the intrusive media glare and fan adulation that still surrounded someone of his stature as a former member of the Byrds. However, he still owed A&M Records one more album. Gathering together the cream of the Los Angeles country-rock fraternity—innovative guitarist Clarence White, Chris Ethridge on bass, ex-Byrd and Burrito Brother...

Former Byrds singer/songwriter’s stark 1971 masterpiece!As founding member of folk-rock pioneers the Byrds, Gene Clark had emerged as a uniquely gifted singer/songwriter and master of the minor key melancholy ballad. His departure from the group in 1966 was met with critical anticipation and commercial indifference. Tiring of the Hollywood fast lane by 1969, Gene and new wife Carlie moved up to Mendocino on the Northern California coast where the tranquility, pastoral beauty and laid back...

Former Byrds singer/songwriter’s stark 1971 masterpiece!As founding member of folk-rock pioneers the Byrds, Gene Clark had emerged as a uniquely gifted singer/songwriter and master of the minor key melancholy ballad. His departure from the group in 1966 was met with critical anticipation and commercial indifference. Tiring of the Hollywood fast lane by 1969, Gene and new wife Carlie moved up to Mendocino on the Northern California coast where the tranquility, pastoral beauty and laid back...

Following in the footsteps of our ultra-cool Johnny Cash Town Hall PartyLPs, we're back with three more live-in-the-studio sessions from '58-'59,featuring Gene Vincent, Eddie Cochran and Merle Travis. Taken from TexRitter's legendary Town Hall Party television series, our LPs capturerockabilly legends Gene Vincent, Eddie Cochran and guitar-picking icon MerleTravis at the absolute top of their games, each playing incredible livematerial—and never before released on vinyl. If you missed...

Country Pickin’ is the first-ever round-up of the signature guitar, fiddle, and vocal genius of the late Don Rich, the sorely-missed trail boss of Buck Owens’ Buckaroos. This edition corrals 24 fiery yet precise cornerstones of the Bakersfield sound, and adds a career overview, rare photos, heartfelt tributes from Buck Owens, Dwight Yoakam, Merle Haggard, Marty Stuart and many more country legends. Included are Rich's signature recordings, from "Buckaroo" to later chart...

Crazy, coveted sounds from legendary wildman Charlie Feathers! Includes all eight of his King sides as originally issued in ‘56 & ‘57—now rare and pricey 45s and 78s—with new notes from Colin Escott. The complete King Feathers singles, right from the original mono masters! Charlie Feathers was a genius—from hillbilly music, bluegrass, gospel, and blues he alchemized a new art-form: rockabilly, and followed in no one’s footsteps getting there! “One Hand Loose,” for instance, celebrates this new...

Frequently referred to as "the Mount Rushmore of country music," The Highwaymen--Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson were American country music's first bona fide supergroup, an epic quartet comprised of the outlaw country genre's pioneering stars. "The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson....

The second LP from "the Mount Rushmore of country music!" The Highwaymen: Cash, Willie, Waylon, and Kristofferson an epic quartet comprised of the outlaw country genre's pioneering stars."The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their...

Although they were little noticed at the time, the International Submarine Band’s releases on Lee Hazlewood’s LHI label would soon emerge as cornerstones in the small but seminal catalogue of the ISB’s leader, Gram Parsons, whose revolutionary rock/country synthesis found its first vehicle in this much-mythologized outfit.The band’s lone LP Safe At Home—recorded before, but released after, Parsons departed to join the Byrds—quickly became a much-sought-after collector’s item. Even rarer were...

7" single. Now on Translucent Blue Vinyl!Although they were little noticed at the time, the International Submarine Band's releases on Lee Hazlewood's LHI label would soon emerge as cornerstones in the small but seminal catalogue of the ISB's leader, Gram Parsons, whose revolutionary rock/country synthesis found its first vehicle in this much-mythologized outfit.The band's lone LP Safe At Home--recorded before, but released after, Parsons departed to join the Byrds--quickly became a...

In 1965, aspiring folk singer Gram Parsons was busy cutting classes at Harvard in order to explore the fertile Cambridge/Boston music scene. There, he met guitarist John Nuese, who urged Parsons to pursue a country rock sound. Enlisting Ian Dunlop on bass and Mickey Gauvin on bass, they began exploring that direction in earnest. Appropriating their name from a classic "Our Gang" skit, the International Submarine Band left Boston for New York, eager to find a supportive label for their new...

In 1965, aspiring folk singer Gram Parsons was busy cutting classes at Harvard in order to explore the fertile Cambridge/Boston music scene. There, he met guitarist John Nuese, who urged Parsons to pursue a country rock sound. Enlisting Ian Dunlop on bass and Mickey Gauvin on bass, they began exploring that direction in earnest. Appropriating their name from a classic "Our Gang" skit, the International Submarine Band left Boston for New York, eager to find a supportive label for their new...

Now On Gold Colored Vinyl!Back in 1966, Gram Parsons formed his first recording group, the now legendary International Submarine Band. With the ISB he wanted to realize his vision of fusing rock and roll and country music and offer the new and exciting sound to his generation. This recording features the original ISB lineup, Gram, John, Ian and Mickey. The group was getting noticed and with the guidance of managers Monte Kay and Jack Lewis they signed a record deal with Columbia.“One Day...

A half-hearted Harvard University theology student in 1965, Gram Parsons wasn’t really thrilled about attending classes. He much preferred hanging around the fervent Cambridge/Boston folk scene, playing with many musicians until he met guitarist John Nuese. Nuese encouraged Parsons to steer away from folk toward a more country direction, setting Parsons on the path that would eventually win him international acclaim. Lifting the name from a classic “Our Gang” skit, Parsons and Nuese formed the...

Just turned 21 and beautiful beyond words, Wanda Jackson ripped through a red-hot, live Town Hall Party rockabilly session in 1958 that helped define the parameters of this raw, young music. Discovered singing on an Oklahoma radio station only two years earlier by honky-tonk recording star Hank Thompson and encouraged to cut loose musically by genre superstar/touring partner (and onetime boyfriend) Elvis Presley, Jackson was a perfect fit for Town Hall Party, the Los Angeles-based TV show that...

Limited Edition Red Vinyl…with tracks only available here!1959 recordings, previously unissued in any format!Pressed on red wax—a tribute to Roy's signature red Fender Jazzmaster guitar!The space-age guitar sound of Roy Lanham! A guitarist's guitarist, Lanham had no less a player than Merle Travis commenting about listening to his records in admiration—his clean, jazzy lines were a fountain of inspiration for several generations of pickers! After touring heavily in the 1940s with acts like...

Plainly and simply, the incendiary singles Jerry Lee Lewis cut for Sun Records in the mid-1950s and early 1960s left a flaming footprint on the face of popular music and forged the die of rock 'n' roll itself. Which means that when it comes to rock 'n' roll, it doesn't get any more essential than Sundazed's roundup of 28 of the Killer's rowdiest, raunchiest, and most rollicking Sun sides; explosive cuts like "Great Balls of Fire," "Whole Lot of Shakin' Going On," "Crazy Arms," "Breathless,"...

Plainly and simply, the incendiary singles Jerry Lee Lewis cut for Sun Records in the mid-1950s and early 1960s left a flaming footprint on the face of popular music and forged the die of rock ’n’ roll itself. Which means that when it comes to rock ’n’ roll, it doesn’t get any more essential than Sundazed’s roundup of 28 of the Killer’s rowdiest, raunchiest, and most rollicking Sun sides; explosive cuts like “Great Balls of Fire,” “Whole Lot of Shakin’ Going On,” “Crazy Arms,” “Breathless,”...

There is something palpably avant-garde in the frenetic energy of Owens' unmistakably American (read: Bakersfield) sound set against the cultural backdrop of Tokyo. However, Buck Owens & His Buckaroos prove the adage that the currency of music defies borders and is indeed the universal language. On Buck Owens & His Buckaroos in Japan!, the band rises to the occasion, performing perennial favorites and previewing tracks from its upcoming album, It Takes People Like You to Make People Like Me....

Buck Owens’ legendary live albums from Carnegie Hall, Japan and London were landmark efforts that captured Buck and the Buckaroos at their peak, but he also recorded other live albums overseas. The most obscure of Buck’s live releases was his April 1970 show in Oslo, Norway that featured Don Rich with the Buckaroos, Buck’s son Buddy Alan and the Hagers. Fiery and intense, it reflects that unique early ’70s period when Buck was experimenting and broadening his sound beyond his old style. With...

His tenth Capitol LP in four years and second of 1965, Before You Go/No One But You continued Buck Owens' prolific hit-making roll. The lead title track spent six long weeks at #1 on the country charts and features two distinct tempos: upbeat at the beginning before switching abruptly to waltz time. Co-written by Buck and Red Simpson, “Gonna Have Love” features a hook-heavy guitar riff from Don Rich and was another successful single. More Buckaroo wizardry was delivered by steel guitarist Tom...

Perennial trailblazers whose electrifying Bakersfield sound topped the country charts for most of the ’60s, Buck Owens and the Buckaroos plowed even newer ground with the 1971 album Bridge Over Troubled Water. Bridge finds Buck and the boys giving a big thumbs-up to the thoughtful folk-rock sound of Simon & Garfunkel, Bob Dylan and Donovan. Bridge saw heavy chart action, justifying Buck Owens’ desire to roll with the times while also detailing his conversion from chart-topping country artist...

Long before the silver sparkle Telecasters and Hee-Haw, Buck Owens was trodding the boards of Bakersfield bar stages, paying his dues and winning fans one twang at a time. Released on January 30, 1961, Buck Owens’ self-titled debut LP marked the start of his long, unprecedented career as a recording artist for Capitol Records. Bolstered by four charting singles- “Second Fiddle,” “Under Your Spell Again,” “Above and Beyond” and “Excuse Me (I Think I’ve Got a Heartache)”- the album spotlights...

Recorded at the venerable New York City concert hall, Buck Owens & His Buckaroos’ Carnegie Hall Concert finds Owens and the Buckaroos tearing through chart-topping hits like "Act Naturally" and "Tiger By The Tail.” The Sundazed release—featuring the complete, unedited show—restores the full glory of producer Ken Nelson's original stereo mix as well as the vintage cover artwork from the highly successful 1966 Capitol album and previously unpublished photos.Also available as a digital download...

Having trouble finding that ideal Christmas gift? How about twelve new songs of the season, written and arranged and sung and played by Buck Owens and his Buckaroos! Yes, your Christmas Shopping will be complete when you pick up this 1968 album, Buck’s second seasonal platter. Once again, Buck and the boys come up with a rich and varied mix of new holiday classics, sure to please any merriment maker. Telecasters twang, steel guitars cry and through it all, that Buckaroo spirit shines brighter...

With Buck Owens riding a tide of hit singles and top-selling albums, the time was right in 1965 to record his first Christmas album. Not content to re-do the same old holiday standbys, Buck and the band worked up a new batch of Christmas classics. Even the lone traditional song, “Jingle Bells,” received a brand spanking new arrangement courtesy of Buckaroo Don Rich. “Santa Looked A Lot Like Daddy,” penned by Buck and Don, quickly became a perennial song of the season, thanks to it humorous...

There was no stopping Buck Owens in 1964! I Don’t Care, released in November of that year, contained another #1 smash country hit in the title track. The album also initiated the tradition of showcasing the individual talents of the Buckaroos along with Buck himself. Featuring vocals by bassist Doyle Holly and guitarist/fiddle player Don Rich, the band turned in spirited renditions of current country hits like “Abilene” and “Louisiana Man.” Buck also served notice of his premier guitar prowess...

Buck Owens and His Buckaroos - I've Got A Tiger By The Tail - Download on iTunesDriving down the dusty roads of West Texas in songwriter Harlan Howard’s Cadillac, Buck and Harlan wrote the title track of I’ve Got a Tiger by the Tail after being inspired by a sign at an ESSO gas station. Another monster hit for Buck and his Buckaroos, it was released as a single in the waning days of December 1964. Debuting at #8 and quickly rising to #1, it held the pole position on the country charts for five...

Buck Owens was the original, border-bustin’ ambassador of American country music. Beginning with his acclaimed live stint at Carnegie Hall, to Japan where the crowd’s overwhelming enthusiasm was downright staggering, Buck would continue to herd his posse into venues worldwide. But he’d wait to hit yet another landmark locale before recording his next live album. At the renown London Palladium, Buck and his Buckaroos performed a full program of their all-time hits and added to the festive...

Inspired by a phrase Buck often said to his concert audiences, the title track of 1968’s It Takes People Like You to Make People Like Me was written as a “thank you” to his legions of fans. Beyond the title track, there is much to be thankful for on this admirable album. Back by the inimitable Buckaroos and select special guests, the “Tiger” is enjoying himself immensely here. With all twelve tracks written or co-written by Buck, the album flew in the face of Nashville’s countrypolitan song...