Post Punk

Leaving music fans checking the bins since MTV’s 1984 spotlight on “Draggin’ The Bottom,” this double LP presents multi-media artist Julia Heyward’s debut release of T-Venus’ art rock forty years after the buzz started! All in a gatefold jacket featuring art and liner notes from Julia! "My first visual music output was my video album 360 collaborating with Don Christensen and Jody Harris, who had been in the Contortions and also were in the Raybeats. I would produce the visuals over time often...

Leaving music fans checking the bins since MTV’s 1984 spotlight on “Draggin’ The Bottom,” this double LP presents multi-media artist Julia Heyward’s debut release of T-Venus’ art rock forty years after the buzz started! All in a gatefold jacket featuring art and liner notes from Julia! "My first visual music output was my video album 360 collaborating with Don Christensen and Jody Harris, who had been in the Contortions and also were in the Raybeats. I would produce the visuals over time often...

The label that ignited the Dutch post-punk scene! Homogeneity be damned, these early Plurex tracks are a head-turning snapshot of what was happening in the late ‘70s Netherlands underground! Includes an interview with Plurex founders and all of the singles from 1978-‘80! Some of the bands would never release another record, but for the label and many of the artists there was yet more history to be made, not least of which was Minny Pops’ ascendance to seminal status, and Plurex’s emergence at...

The label that ignited the Dutch post-punk scene! Homogeneity be damned, these early Plurex tracks are a head-turning snapshot of what was happening in the late ‘70s Netherlands underground! Includes an interview with Plurex founders and all of the singles from 1978-‘80! Some of the bands would never release another record, but for the label and many of the artists there was yet more history to be made, not least of which was Minny Pops’ ascendance to seminal status, and Plurex’s emergence at...

With words as weapons and public infrastructure as his blank slate, John Fekner’s City Squad are always questing for the ineffable, even as they yearn for concrete change. Make no mistake, Idioblast is a serious party where everyone is welcome. Released in 1984, Idioblast is a lost classic, a future shock narrative ahead of its time, and yet completely of its era, like few artifacts before or since. The cover tips you off from the jump—a crude but effective collage featuring classic Fekner...

With words as weapons and public infrastructure as his blank slate, John Fekner’s City Squad are always questing for the ineffable, even as they yearn for concrete change. Make no mistake, Idioblast is a serious party where everyone is welcome. Released in 1984, Idioblast is a lost classic, a future shock narrative ahead of its time, and yet completely of its era, like few artifacts before or since. The cover tips you off from the jump—a crude but effective collage featuring classic Fekner...

Nico’s iconic post-Velvets return to rock! As one critic memorably put it, when Nico spoke it was like coffin-lids creaking. When she sang it was like listening to ravens taking off 13 at a time. Nico was like nothing rock music had ever seen or heard before or since. In Paris in the seven year gap between the recording of The End and the release of Drama Of Exile, Nico appeared to be doing little more than feeding a heavy heroin habit. When she met Aura Records founder Aaron Sixx after a gig...

Predominantly known as the musical genesis of eventual home 4-track folk pioneer Linda Smith, The Woods’ organically experimental blend of folk style and pop sensibilities epitomize 80s NYC underground music. Included here is their lone 1985 single plus a full album’s worth of previously unreleased recordings and a zine-style insert filled with liner notes and ephemera. The Woods are often associated with New York’s post-punk scene, a designation that may ring true in the sense of their DIY...

Predominantly known as the musical genesis of eventual home 4-track folk pioneer Linda Smith, The Woods’ organically experimental blend of folk style and pop sensibilities epitomize 80s NYC underground music. Included here is their lone 1985 single plus a full album’s worth of previously unreleased recordings and a zine-style insert filled with liner notes and ephemera. The Woods are often associated with New York’s post-punk scene, a designation that may ring true in the sense of their DIY...

An expanded view of Tomek’s 1983 no wave punk funk celebration of the Fairlight CMI (Computer Musical Instrument), recorded in the home of Stones producer Jimmy Miller, from the freshly baked original tapes! Funk is a key element of Lamprecht’s musical makeup and the common denominator on “Contract,” “Prelude,” and the previously unreleased “Kill” and “Things Will Come and Pass Like Magic.” “I was paying attention to it and learning from it quite a bit,” he says. “Part of my drumming on the...

An expanded view of Tomek’s 1983 no wave punk funk celebration of the Fairlight CMI (Computer Musical Instrument), recorded in the home of Stones producer Jimmy Miller, from the freshly baked original tapes! Funk is a key element of Lamprecht’s musical makeup and the common denominator on “Contract,” “Prelude,” and the previously unreleased “Kill” and “Things Will Come and Pass Like Magic.” “I was paying attention to it and learning from it quite a bit,” he says. “Part of my drumming on the...

Inimitable Post Punk Insurgents! The John Cale produced '79 Model Citizens EP is finally available again, and with it comes unheard live recordings from Hurrah, Max's, and CBGB! "Model Citizens, attacking their instruments with poetic yet strangely ironic frenzy, reflect the frightened, scattered, painful (yet edge-of-ecstatic) world of the moment." (NY Rocker) There were four Model Citizens – Steve Alexander, Eugenie Diserio, Tomek Lamprecht and Gloria Richards. Like so many dedicated...

Inimitable Post Punk insurgents! The John Cale produced '79 Model Citizens EP is finally available again, and with it comes unheard live recordings from Max's & Hurrah! "Model Citizens, attacking their instruments with poetic yet strangely ironic frenzy, reflect the frightened, scattered, painful (yet edge-of-ecstatic) world of the moment." (NY Rocker)  This short lived vanguard outfit now gets its due on red vinyl, with an insert featuring liner notes from Tim Page.There were four...

Sax Driven NYC No Wave Post Punk! Finally the recorded studio work of Bill Ylitalo as Otto Kentrol and Faceless has been assembled! Featuring hard to find post punk & no wave cuts, four track demos, and previously unissued gems. Sax, strange electronic instruments, recitative vocals and sporadic bass, guitar and drums, plus liner notes by WFMU’s Erick Bradshaw, host of Spin Age Blasters! In addition creating sought after EPs from the early 80s on German labels and self released cassettes, Bill...

The first ever collection of Jill Kroesen’s wildlyinventive & often dystopian compositions from ‘72 through ‘84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted ‘80 single, an equal amount of unissued treasures, and copious liner notes. Finally Jill Kroesen on2LP or 2CD! Her voice is large, unique, and charismatic. Her presence is charming and flirty. One can’t help but be drawn in. When she sings about fascism and dictators and bad boyfriends,...

The first ever collection of Jill Kroesen’s wildlyinventive & often dystopian compositions from ‘72 through ‘84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted ‘80 single, an equal amount of unissued treasures, and copious liner notes. Finally Jill Kroesen on2LP or 2CD! Her voice is large, unique, and charismatic. Her presence is charming and flirty. One can’t help but be drawn in. When she sings about fascism and dictators and bad boyfriends,...

One jam-packed CD of unique female gazes, into a micro-scene with the NYC Downtown art scene circa late ‘78 -‘85, through the lenses of a variety of feminist perspectives on post-punk and true art-punk! An ultra-violet time machine to a micro-scene viewed and heard through the curation of Emmy-award winning, twin artists, Ellen Kahn and Lynda Kahn AKA TwinArt. This magnificent journey features their music with Taste Test, (lyrics by Joan Durand and music by David DeSario) they created as...

Two LPs of unique female gazes, into a micro-scene with the NYC Downtown art scene circa late ‘78 -‘85, through the lenses of a variety of feminist perspectives on post-punk and true art-punk! An ultra-violet time machine to a micro-scene viewed and heard through the curation of Emmy-award winning, twin artists, Ellen Kahn and Lynda Kahn AKA TwinArt. This magnificent journey features their music with Taste Test, (lyrics by Joan Durand and music by David DeSario) they created as video...

The Dance’s Groundbreaking Post-Punk Art-Funk Makes US Landfall Modern Harmonic is proud to give The Dance’s complete catalog a reissue, most of which despite its ‘80s NYC panache and its NME buzz, has never been released in the States. In Lust (1981) and Soul Force (1982), both of which were originally released internationally on Statik Records, finally make landfall domestically. Joining those two coveted post-punk platters is Do Dada, which takes its name from a cult classic track on their...

The Dance’s Groundbreaking Post-Punk Art-Funk Makes US Landfall Modern Harmonic is proud to give The Dance’s complete catalog a reissue, most of which despite its ‘80s NYC panache and its NME buzz, has never been released in the States. In Lust (1981) and Soul Force (1982), both of which were originally released internationally on Statik Records, finally make landfall domestically. Joining those two coveted post-punk platters is Do Dada, which takes its name from a cult classic track on their...

The Dance’s Groundbreaking Post-Punk Art-Funk Makes US Landfall Modern Harmonic is proud to give The Dance’s complete catalog a reissue, most of which despite its ‘80s NYC panache and its NME buzz, has never been released in the States. In Lust (1981) and Soul Force (1982), both of which were originally released internationally on Statik Records, finally make landfall domestically. Joining those two coveted post-punk platters is Do Dada, which takes its name from a cult classic track on their...

The Dance’s Groundbreaking Post-Punk Art-Funk Makes US Landfall Modern Harmonic is proud to give The Dance’s complete catalog a reissue, most of which despite its ‘80s NYC panache and its NME buzz, has never been released in the States. In Lust (1981) and Soul Force (1982), both of which were originally released internationally on Statik Records, finally make landfall domestically. Joining those two coveted post-punk platters is Do Dada, which takes its name from a cult classic track on their...

The Dance’s Groundbreaking Post-Punk Art-Funk Makes US Landfall Modern Harmonic is proud to give The Dance’s complete catalog a reissue, most of which despite its ‘80s NYC panache and its NME buzz, has never been released in the States. In Lust (1981) and Soul Force (1982), both of which were originally released internationally on Statik Records, finally make landfall domestically. Joining those two coveted post-punk platters is Do Dada, which takes its name from a cult classic track on their...

The Dance’s Groundbreaking Post-Punk Art-Funk Makes US Landfall Modern Harmonic is proud to give The Dance’s complete catalog a reissue, most of which despite its ‘80s NYC panache and its NME buzz, has never been released in the States. In Lust (1981) and Soul Force (1982), both of which were originally released internationally on Statik Records, finally make landfall domestically. Joining those two coveted post-punk platters is Do Dada, which takes its name from a cult classic track on their...

Sax Driven NYC No Wave Post Punk! Finally the recorded studio work of Bill Ylitalo as Otto Kentrol and Faceless has been assembled! Featuring hard to find post punk & no wave cuts, four track demos, and previously unissued gems. Sax, strange electronic instruments, recitative vocals and sporadic bass, guitar and drums all spread over two LPs with liner notes by WFMU’s Erick Bradshaw, host of Spin Age Blasters! In addition creating sought after EPs from the early 80s on German labels and self...

MANIC NO WAVE SAX FRENZY! James White tore up the city blueprints and charted his own map through the sonic sprawl of New York, perfecting a jittery, manic attack on sax and vocals and adopting the persona of a lounge singer in the waiting room of Hell. A maelstrom of chaotic transformations of funk, jazz (et al.) with equal parts James Brown and James White originals that rank among the most incendiary in his repertoire, this album is available outside of Japan for the first time and finally...

Nico’s iconic post-Velvets return to rock! As one critic memorably put it, when Nico spoke it was like coffin-lids creaking. When she sang it was like listening to ravens taking off 13 at a time. Nico was like nothing rock music had ever seen or heard before or since. In Paris in the seven year gap between the recording of The End and the release of Drama Of Exile, Nico appeared to be doing little more than feeding a heavy heroin habit. When she met Aura Records founder Aaron Sixx after a gig...

Arriving in 1978, X-Dreams is an infatuating and resolutely feminine free-form exploration of the politics and dynamics of sex. In the pursuit to reconcile the duality of attraction & repulsion and love & cruelty, the album oscillates between an assertive opening side and a sweeter side B. Assembling a crew of 22 musicians (including Mick Ronson on guitar and Bill Bruford on drums), Peacock delivers impassioned vocal performances alongside an improvisational jazz-rock fusion masterpiece of...

Released in 1979, this prophetic stew of spoken word, jazz, and funk from Annette Peacock was wildly ahead of its time and is still salient today. Her unflinching examinations of capitalism, sex, religion, et al. are underscored by lengthy, gorgeous grooves. Peacock wields her voice with wild abandon, at times delivering a melody like a Beat poet while other times wailing out of her throat like a saxophone, hitting blue notes as she pleases. Where most musicians riff, she creates sonic space....

MANIC NO WAVE SAX FRENZY! James White tore up the city blueprints and charted his own map through the sonic sprawl of New York, perfecting a jittery, manic attack on sax and vocals and adopting the persona of a lounge singer in the waiting room of Hell. A maelstrom of chaotic transformations of funk, jazz (et al.) with equal parts James Brown and James White originals that rank among the most incendiary in his repertoire, this album is available outside of Japan for the first time and pressed...

Released in 1979, this prophetic stew of spoken word, jazz, and funk from Annette Peacock was wildly ahead of its time and is still salient today. Her unflinching examinations of capitalism, sex, religion, et al. are underscored by lengthy, gorgeous grooves. Peacock wields her voice with wild abandon, at times delivering a melody like a Beat poet while other times wailing out of her throat like a saxophone, hitting blue notes as she pleases. Where most musicians riff, she creates sonic space....

Arriving in 1978, X-Dreams is an infatuating and resolutely feminine free-form exploration of the politics and dynamics of sex. In the pursuit to reconcile the duality of attraction & repulsion and love & cruelty, the album oscillates between an assertive opening side and a sweeter side B. Assembling a crew of 22 musicians (including Mick Ronson on guitar and Bill Bruford on drums), Peacock delivers impassioned vocal performances alongside an improvisational jazz-rock fusion masterpiece of...

Seven woman post-punk percussion ensemble!  Housed in a five color silver jacket!Features unheard takes of their Danny Brown sampled “Ungawa Pt. II” and their underground hit, “The Devil Lives In My Husband’s Body”Unheard outside of one French radio broadcast in '83! “Pulsallama is the sound of girls–laughing, shouting, chanting, teasing, screaming girls–who are as hip and as hot as only girls can be when they’re alone together.” - High Times (July, 1982) The exotic, tribalistic...

Seven woman post-punk percussion ensemble!  LP pressed on post-color black vinyl and housed in a stunner of a jacket featuring an outtake photo from their "Qui-Qui" photo shoot!Features unheard takes of their Danny Brown sampled “Ungawa Pt. II” and their underground hit, “The Devil Lives In My Husband’s Body”Unheard outside of one French radio broadcast in '83! “Pulsallama is the sound of girls–laughing, shouting, chanting, teasing, screaming girls–who are as hip and as hot as only girls...